Friday, May 28, 2010
Tuesday, May 25, 2010
Monday, May 24, 2010
Friday, May 21, 2010
This was the morning of May 13, 2010. Dawn at Ash Cave.
To capture these images I used a Canon 5D Mark II with Canon lenses that included 70-200mm, 28-70mm and 17-35mm. All are longer time exposures with camera set on a Bogen 3021 tripod and Kirk ballhead.
Monday, May 17, 2010
Sunday, May 16, 2010
So what does this have to do with photography ? Everything. Because quite simply it is the fundamentals of composition that will have a far greater impact upon the visual impact of the resulting photograph, than having the camera with the highest megapixel count, the most and best lenses, the biggest lens, etc., etc. Get the "picture?"
Fundamentals such as shape, lines, direction, placement, spatial relationships and emotional reaction to colors - all go into the decision making process when the photographer and artist approach scene and subject. The difference with photography - especially nature and landscape work - is that quite often all of these elements are already present versus the painter or graphic artist who creates the elements to work into the finished piece that they have in mind.
The photographic artist must be diligent in 1) recognizing these existing elements, 2) effectively applying his or her own technical skill with appropriate exposure settings and lens selection, and 3) employing creative approach, i.e. changing and moving to proper angle and perspective, in capturing a photograph that goes far beyond the simple "snapshot."
The "gear" serves the artist. Not vice versa. I continue to be amazed at the number of photographers out there who struggle with that essential rule.
Back during my years living in Salt Lake City I attended the MPC program of studies at Westminster College. I didn't quite fully see it then, but many of the classes I completed in that particular graduate program of studies would eventually have a positive impact on my career as a photographer and artist. When I saw this online posting regarding retro posters of modern movie titles the class that immediately came to mind was Professor Bridget Newell's course on design and visual communications. One of the books required for that particular class was Molly Bang's Picture This: How Pictures Work. It's been over 10 years since that class, but I still keep that book close at hand, more and more using it as a reference for my photography workshops.
It's a simple read. Only 96 pages. But Bang carefully describes and illustrates just how important the fundamentals of visual design are in the process of creating a picture - be it painting, poster, advertisement or fine art nature photography - that successfully transcend the boundary from artistic concept to finished piece.
Once again, fundamentals, fundamentals, fundamentals. Posted below are two very recent images that I captured just a few days ago, along the trail to Old Man's Cave in Hocking Hills State Park. These images are from an area known as the Devil's Bathtub. I think both illustrate the point I'm making in this particular post quite well. Also, kudos and thanks to friend and owner of The Next Wave, David Esrati, for tweeting a reference to the retro movie poster article which spurred this chain of creative thoughts in my head, thus resulting in this post.
Saturday, May 15, 2010
Tuesday, May 11, 2010
Of the 25 open seats for this September workshop, nine are already filled. I'm expecting registration to be full by early July. The two-day program - in the wonderful light of late September on a landscape that is considered the most picturesque in Ohio - will provide the best in hands-on instruction on how to get the most out of your digital SLR camera. You'll learn the best tips and techniques for capturing nature and landscape photographs that quite simply jump-out from all the rest and cause viewers to say "I can't believe that was taken in Ohio." The classroom location for the workshop will be the new conference and retreat center at The Inn and Spa at Cedar Falls. Known as "The Gathering Space," it's where 'inspiration blooms.'in reference to: Season of Good Light Photography Workshop | Inn and Spa at Cedar Falls (view on Google Sidewiki)
Friday, May 07, 2010
Also included is a pre-session consultation with the graduating senior and his or her parents. From the consultation meeting I help families in deciding what type of portrait session will best serve the type of senior portraits they have in mind, or perhaps explore some new creative approaches in visually capturing the essence of this very important milestone in a young person's life. The pre-shoot meeting also helps in building rapport between client and photographer.
One thing that's important in capturing the client's true personality is to have fun with the portrait session. I encourage seniors to photograph in a several outfits and bring along items that best symbolize their high school experience, such as medals, letter jackets, art projects, sports items, etc. A favorite playlist on an iPod through studio speakers is encouraged as well.
There's also an option for a post-session get together to review the images from the photo shoot and select the photographs for both prints and disk. Client consult meetings are held in the comfort and convenience of my home studio where client images are viewed on calibrated, LED Mac cinema display screens.
As with my commercial portrait photography services, I utilize professional-grade Canon EOS DSLR camera bodies and lenses, a variety of studio strobe lights and light boxes and muslin cloth backdrops. All client images are captured in digital raw file format for highest quality standards. All original, raw digital files are carefully archived and retained by Picture Ohio, LLC, which can be accessed in the event the client loses his or her DVD with JPEG image files.
To schedule a free, no-obligation consult meeting, call 937-432-6711 or email email@example.com. I serve high school senior clients throughout the Dayton area. Professional insured, recommended and certified.